: High-gain fusion tones require impeccable string muting. Use the side of your picking hand to silence unplayed strings. 5. Structured Practice Routine for Fusion Players
: Harmonic rules for introducing "outside" notes to create tension and resolution.
Week 3 — Targeting chord tones
Over a chord, play a Bm7 pentatonic to bring out the Lydian (#11) flavor. 5. Rhythmic Displacement and Phrasing scott henderson jazz fusion improvisation pdf work
Pages of exercises designed to stop players from sounding like "scale-monkeys."
: Instruction on introducing tension through chromatic passing notes and modern uses for arpeggios and triads. Amazon.com.au Critical Reception Practicality : Reviewers from
mode (G major over Cmaj7) or minor pentatonics built on the 3rd, 6th, or 2nd (E, A, or D minor pentatonic) to add color. Dominant and Altered Chords: altered sounds, he frequently uses Db Melodic Minor (the altered scale) or minor pentatonics up a minor third ( minor pentatonic) to highlight extensions like the Diminished Tonalities: : High-gain fusion tones require impeccable string muting
A defining sound in Henderson’s playing is the use of the tri-tone interval to imply altered dominant sounds.
If you want to dive deeper into this style, I can map out a specific layout to help you progress. Let me know:
Henderson is a master of "side-stepping"—momentarily playing a half-step away from the key to create intense dissonance before resolving back to the "inside" note. This creates a "pulling" sensation that is iconic in his solos with Tribal Tech . 5. Tone as a Tool Structured Practice Routine for Fusion Players : Harmonic
5 intervals, creating a rich texture that begs to resolve to Cmaj7 or Cmin7. 3. Pentatonic Substitution and "Inside/Outside" Playing
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Master of Modern Fusion: Exploring Scott Henderson’s Improvisation Methods Scott Henderson
Below is the essay.
So, what can you learn from Scott Henderson's approach to jazz fusion improvisation? Here are a few key takeaways:
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