In a genre often filled with sparkling heroines and instant glow-ups, Roku Sakura's Busu ni Hanataba wo. (translated as A Bouquet for an Ugly Girl ) stands out for its refreshingly sincere approach. It follows Hana Tabata, a first-year high school student who has fully embraced her self-perception as an "ugly girl" (busu). She is round-faced, wears glasses, has freckles, and is just a little overweight. Content to remain a background character, her quiet world of watering flowers each morning is her only escape—until the day the most handsome and popular boy in class, Yōsuke Ueno, accidentally stumbles upon her pretending to be a shoujo manga heroine. What unfolds is a slow-burn tale of real growth, where the story's depth comes not from what Hana changes about herself, but from the quiet, earned confidence she builds over time. As the manga reached its final arc, the stakes grew higher, leading fans to eagerly await pivotal installments like Chapter 73.

Let me know in the comments if you’ve peeked at Chapter 73 yet — what do you think is gonna happen next? 👀

: Raw chapters (including Chapter 73) were originally serialized in Young Ace. While "Welovemanga" is a well-known third-party platform for raw scans, fans often look for updates there for the latest digital rips of completed series. Release Context

Busu ni Hanataba wo (lit. “A Bouquet for an Ugly Girl”), written and illustrated by Rikako, is a seinen romance manga that challenges conventional beauty standards. Its slow-burn narrative and psychological depth have cultivated a dedicated but relatively small international following. For such a series, official simulpub translations are rare. Consequently, when Chapter 73 is published in Japan (typically in Young Jump or similar magazines), the raw version becomes the most current canonical text available.

If you'd like, I can help you check the (whether Ch. 73 is out in Japan yet) — just let me know.

: Tabata, who has spent the majority of the series struggling with deep-seated self-deprecation, finally begins to accept Ueno's genuine affection.

The update “Busu ni Hanataba wo Raw Chapter 73 Raw Manga Welovemanga” is not merely a file listing. It is a cultural signal—a moment when a niche Japanese comic momentarily becomes a global conversation piece, albeit one conducted in pantomime and broken machine translation. Raws serve as the hidden scaffolding of online manga fandom, enabling immediacy at the cost of legality and comprehension. For dedicated readers of Rikako’s gentle, unflinching story, Chapter 73’s raw on Welovemanga is both a treasure and a tease. It reminds us that love for a story can outpace the infrastructure meant to deliver it, and that even an “ugly girl” manga can inspire beautiful, if illicit, devotion. The ultimate hope is that such demand translates into official recognition—so that one day, no fan will need a raw to know what Yukiko says next.

ran from March 2025 to July 2025, which also included extra chapters released through August 2025. Translation Status

Here is a comprehensive breakdown of what to expect in Chapter 73, the themes driving the narrative, and how to safely follow the official release. The Appeal of Busu ni Hanataba wo

The comedic scenarios that arise from their vastly different social standings.

The story challenges beauty standards, emphasizing inner beauty, self-confidence, and genuine connection over appearance.

Hana has spent most of the series battling her inner insecurities. In Chapter 73, we expect to see her take bolder steps in accepting Ueno’s affection in front of others. 2. Ueno’s Unwavering Support

: The raw scans highlight an emotionally charged conversation where both characters address their impending futures.

Busu ni Hanataba wo , created by Suzuran Yamauchi, has established itself as a notable entry in the romance genre, subverting common tropes by pairing a socially ostracized, "ugly" female protagonist with a popular, handsome male lead. Unlike many "ugly duckling" narratives that rely on a physical transformation trope, the series has focused heavily on self-acceptance and the deconstruction of superficial standards.