: A bilingual (French/Italian/German/English) duet with Franco Battiato.
: The distinct panning of synthesizers, backing vocals, and violin tracks engineered in the studio remains intact, offering a wide, immersive soundstage.
The longest track on the album, featuring deep, cinematic lulls and peaks. Chanson egocentrique
: Early 80s hi-hats and synth brass can sound harsh and digital when compressed. Lossless FLAC ensures these frequencies remain smooth, bright, and airy. Vocal Separation and Soundstage
Often cited as the album’s standout hit, "Messaggio" is a quintessential example of Italian synth-pop. It follows in the footsteps of "Per Elisa," featuring a sharp, memorable melody and driving rhythm. Alice - Azimut -1982 Pop- -Flac 16-44-
: A notable duet with Franco Battiato that leans into new-wave styles.
Released in 1982, Azimut marks a pivotal shift in Alice’s career, moving away from the harsher, experimental New Wave sounds found in her previous collaborations with Franco Battiato. While the creative partnership with Battiato (and his pseudonyms, such as "Albert Kui") remained, Azimut represents a more mature, introspective, and sophisticated approach to pop music. The album is characterized by:
The early 1980s was a transitional era for recording studios, blending rich analog tape warmth with early digital synthesizers. A lossy format like MP3 strips away the high-frequency harmonics of these early synths. FLAC preserves the exact wave patterns, keeping the synthesizers sounding sharp, bright, and authentic. Vocal Clarity and Dynamics
Alice - Azimut (1982): A Masterpiece of Italian Pop and Sophisti-Pop in FLAC 16-44 Chanson egocentrique : Early 80s hi-hats and synth
To fully appreciate the 16-bit/44.1 kHz FLAC rip of Azimut , one must look at how the album's key tracks utilize the dynamic range of the format.
The album consists of nine tracks, most of which were written or co-written by Alice (credited as ). Side Credits / Notes A Azimut
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The 44.1kHz sample rate ensures her unique, husky contralto voice sounds natural and intimate. It follows in the footsteps of "Per Elisa,"
Azimut balances dark, brooding synthesizers with sharp, rhythmic pop hooks. The tracks deal with themes of existential isolation, travel, spiritual searches, and complex emotional landscapes. Alice's deep, resonant contralto voice serves as the perfect anchor for these dense, electronic soundscapes. Track-by-Track Highlights
The production on Azimut is highly nuanced, making it a perfect candidate for high-fidelity audio. The 1980s saw a revolution in electronic music production, with a delicate balance between analog synthesizers, organic instruments (like the saxophone), and studio-produced electronic drums.
: Closing the album is "Laura of the Mirrors," written by Finardi. Alice delivers a "suggestive interpretation" that fully realizes the song's "folk atmosphere," which gains momentum and beauty in its final progression with a violin.