Screenshots

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  Main window
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  Settings
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  Share DX Spot
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  Distance Calculator

Notable Features

• Quick Access
  Retrieve DX spots and announcements with a single tap, including band and mode filtered lists. Post DX spots to the DX Summit web site directly.
  
• Fully Adjustable Interface
  Format the DX list by selecting font colors and sizes, text background, and more. Customize and apply the application theme.
• Custom Filters
  Quickly filter a DX spots stream to show only stations within selected band and mode. Access these saved filters any time with two taps.
• Easy to Share
  Just add a callsign, operating frequency, and optional comments and share DX spot to the DX Summit. Your report will automatically appear on the timeline.
• Advanced Search
  Search a callsign or part of it in the online DX Summit database. Use the Date Filter to narrow your results within the selected period.
• Save Spots
  Save lists of the received DX spots and announcements for future reference and use as a plain text document.

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Miss Pooja’s music videos revolutionized how female artists were portrayed in Punjabi media. Instead of acting as passive background figures, she was the central focus. Her videos often featured:

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Today, Miss Pooja maintains an active presence across major social platforms, including Instagram and Facebook, where her photos continue to dictate her narrative in popular media.

Miss Pooja’s image has done more than just promote her own music; it has actively shaped the visual and structural conventions of Punjabi popular media. Immediate action should be taken to remove these

If one collects the canonical images of Miss Pooja—the official press shots, the CD cover art for Romantic Jatt , the promotional stills for Very Very Sad —a distinct visual language emerges. It is a style that has influenced the entire Punjabi music video genre.

As Bhangra fused with hip-hop, Miss Pooja’s style evolved. Photo content began featuring designer wear, luxury cars, and high-definition, cinematic lighting. Her collaboration with artists like Honey Singh required a visual upgrade—bolder makeup and edgier poses. Miss Pooja’s image has done more than just

While primarily a singer, she has established a significant presence in visual media: : She starred in Punjabi films such as Channa Sachi Muchi (2010), and the eponymous Pooja Kiven Aa Television

This immense success quickly translated into international acclaim and award recognition, solidifying her global popularity:

The trajectory of Miss Pooja’s visual representation mirrors the technological shift in the Punjabi entertainment industry. In the mid-2000s, her media presence was defined by physical CD covers and cassette jackets. These early promotional photos focused on traditional attire, presenting her as an accessible, authentic voice of rural Punjab.